Trailer& Sinopsis. Kim Ji-Young Born 1982 - In Indonesian Cinemas November 2019. Bahasa Indonesia - Kim Ji-young, seorang wanita Korea biasa di usia 30-an, seringkali merasa berat dengan kesehariannya sebagai seorang ibu rumah tangga sepenuhnya. Meskipun kini menikah dengan pria yang ia cintai, dan usaha keras untuk membesarkan anak by Cho Nam-JoI knew that the Republic of Korea South Korea and India celebrate Independence Day on the 15th of August. What I didn’t know was how similar the cultures of these two countries were until I read Kim Jiyoung, Born 1982. This million-copy bestseller, written by Cho Nam-Joo, translated into English by Jamie Chang with audiobook narration by Jamie Parker deserves it’s tremendous success and more. The cover with a sketch of a face framed by black hair but no features laid atop a city skyline, highlights by its absence, the commonplace life of its eponymous protagonist, Kim Jiyoung in urban South Korea. Like the simple cover, it is a simple story, simply told. What makes it special, is the way it draws in readers through its matter of fact telling of a story that plays out in every country that is burdened by patriarchy. Jiyoung, a young woman in Seoul starts showing signs of mental imbalance in the autumn of 2015, a year after the birth of her daughter. At first it seems odd to find an educated, modern young woman falling apart despite a comfortable, happily married family life but as the story unfolds, the reasons become apparent. It isn’t always one moment of horrific trauma that makes people crack but the cumulative effects of a lifetime of being at the receiving end of small, thoughtless aggressions, something that girls in Korea and world over routinely face, a series of episodes that can ultimately destroy a person’s well-being. Jiyoung, the quiet, second daughter born in a traditional family where the father goes out to work while her mother stays home, observes and quickly normalises her life in a culture that prefers male children. While she is expected to share everything from a blanket to a treat with her sister, her much-younger brother gets the best portions of food, better clothes, and of course, more attention from their parents and grandmother. “It didn’t occur to the child Jiyoung that her brother was receiving special treatment, and so she wasn’t even jealous. That’s how it had always been.”As we follow Jiyoung’s growth through her childhood years 1982-19940, adolescence 1995-200, early adulthood 2001-2011, and marriage 2012-2015, through ordinary episodes of school and workplace bullying, family expectations before and after marriage, we uncover the myriad ways in which a person’s soul can be effaced. The unfolding of the systematic effects of patriarchy is so gradual that it doesn’t come across as punitive or intentional. It is revealed for what it is, an insidious state of being . Jiyoung’s father and later, her husband, appear to be mild-mannered men of not much consequence. It is the women who are the complicit perpetrators of patriarchy. Jiyoung’s paternal grandmother, who despite her hard life with four sons and an incompetent husband a man with a fair complexion and soft hands, who never worked a day in his life doesn’t resent her him because he didn’t sleep around or hit her. Even though three of her four sons turn out to be ungrateful, her heartfelt wish for the only daughter-in-law, Jiyoung’s mother, who takes care of her is “You should have a son. You must have a son. You must have at least two sons.”Jiyoung’s mother is more than just the compliant meek daughter-in-law. She is the backbone of the family, the one with business savvy and foresight who uplifts the family’s standard of living and enables her daughters but still favors her youngest child, the hardwon growth from a primarily agricultural society to an industrialised one and its impact on society provides the backdrop on which the characters grow and change, thereby enabling the transformation of the country. But they each bear the human cost of their participation in the country’s progress as it plays out in small and large ways in their own periodic intervals, the novel provides footnotes for reference to relevant statistics on government policies and other measures. These helpful asides are not mere digressions. They add veracity to the story of one fictional protagonist who represents her generation. The introduction in Korea of family planning’, a government sanctioned measure to limit the expanding population when combined with easy access to ultra-sound technology leads to sex-selective abortions and an alarmingly skewed gender ratio. The short-sightedness of such programmes in cultures that favour male children and the inevitable impact that serves to further exacerbate existing problems were effortlessly portrayed through Jiyoung’s life. Whether it’s her interaction with bullies or perverts or outright chauvinists, Jiyoung’s story hits uncomfortably close to makes the story work is the clinically detached narration. I admired the absence of sentimentality that kept the story moving briskly as well as the simplicity of the prose that stayed true to its purpose of just telling the story. I first heard the audiobook and then read the print version. On both occasions, I found myself getting worked up, my short breaths fanning my anger at the way people make choices to conform to the bias of society, cleanly sidestepping responsibility for all the wrongs that follow. Even as I wrote this review, I had to stop and take deep breaths to continue. What makes the novel real is not just Jiyoung’s struggle to make her way through a world that seems to be systematically wired with landmines to trip her progress, but the fact that at several points, she comes across women who in their own limited way, try to make a difference. Whether it is a young classmate in school who decides to stand up to an unfair system that puts girls at a disadvantage or the stranger on the bus who rescues her on a dark night at a bus stop and tells her “It’s not your fault”, there are women who work within the system to uplift one woman at a time, through words or actions, however trivial they may favorite character was Jiyoung’s mother, herself a victim of a generation where female siblings willingly worked in their youth to put their brothers through school and later spent their adult life supporting their own family. With her entrepreneurial spirit and courage, she brings financial stability to her home and takes a stand to enable her daughters to have a better life than what she could do for herself. But in the end, she is a victim of her circumstances and her biases, just like the therapist who tries to piece together Jiyoung’s case in the context of his own life. The strength of the story lies both in the telling of it and in it’s conclusion that the ills of society cannot be condoned, even if it is co-opted by the majority. What it does not do is provide a neat solution, either for Jiyoung or for the reader. My opinion With translations into eighteen languages, this book should be made essential reading for girls, boys, and their parents all over the you read this book? Or come across similar books by writers from other countries? ? Drop me a note in comments. KimJiyoung Born 1982. Gong Yoo plays Jung Dae Hyun Ji-Youngs caring husband. Based on the million-seller novel of the same name by Cho Nam-joo it was released on October 23 2019. Kim ji young born 1982 book ending explainedhow to get tenant name in azure using powershell kim ji young born 1982 book ending explained. Waddle duck stop quacking.
Well-intended feminist South Korean drama Kim Ji-young, Born 1982 is realistic and heart-breaking, but the slow-paced and tell-more-than-show narration could be disappointing to housewife in her 30s, Kim Ji-young Jung Yu-mi, is distressed and exhausted from taking care of the household and her young daughter, as well as fulfilling her society’s expectations of a married day when visiting her in-laws with her husband Dae-hyeon Gong Yoo, she suddenly acts and speaks like her mother by speaking against her mother-in-law, who exploits her and expects her to obediently follow her orders and do all the about his wife’s mental health, Dae-hyeon tries to search for information online and seek help from a psychiatrist, hoping to figure out what’s wrong with his around the mental struggles and life of Ji-young, female lead Yu-mi gives a consistently natural and convincing performance, accompanied by a professional with plenty of dialogue and some flashbacks, the lifelike movie is pretty straightforward and mostly saddening, with a few of good punchlines but also a couple of cliche scenes. But with everything either told or shown explicitly on screen, there’s a lack of subtleness and variety in the way the story is Addams Family review Charlize Theron and Oscar Isaac headline charming animated reboot about celebrating differencesWhile the director does a good job in reflecting and challenging the gender inequalities and prescribed gender roles observed in the South Korean society, there are moments where a couple of scenes - whose appearances are not clearly explained - seem almost a little too random and merely added for the sake of social by Cho Nam-joo’s best-selling novel of the same name, Kim Ji-young, Born 1982 is an average women- empowering story with a potential to be told with more care and up for the YP Teachers NewsletterGet updates for teachers sent directly to your inboxNicola Chan is a former Young Post reporter. A firm believer in education and self-care, she has a strong interest in writing about teenage psychology and mental health. She’s also constantly on the hunt for stories about inspiring students and campus events. She has a master’s degree in Comparative Literature.
ANew York Times. Editors Choice Selection. A global sensation, Kim Jiyoung, Born 1982 "has becomea touchstone for a conversation around feminism and gender" (Sarah Shin, Guardian). One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rampant misogyny.
Starring critically acclaimed actress Jung Yu-mi as the titular character, Kim Jiyoung, Born 1982 is an examination of the many ways misogynistic pressures underlie the everyday experiences of the modern South Korean woman. Adapted from Cho Nam-joo’s book of the same name and directed by female director Kim Do-Yong, Kim Jiyoung markets itself as a tale about and for the Everywoman. Narratively, the film follows much of what occurred in the novel, weaving together the most striking incidents in the novel — told through flashback — in conjunction with the everyday happenings of Jiyoung’s present reality and the representation of her psychosis. The seamless transitions between such scenes streamline the broader theme of the story in a way that differs from the novel, which often appeared disjointed in the seemingly disparate elements that were given overt significance only later on. Throughout its non-linear structure, Kim Jiyoung is constructed as more of a visual portrait of a woman than the society she inhabits. Close-ups on Jiyoung’s reactions center her expressions, mirroring her responses to her daily interactions. The film’s use of its spatial surroundings, in which Jiyoung always appears to be confined to a specific room in the house with her daughter or in a specific domestic occupation, implies the stifling nature of these spaces. These spatial and symbolic meanings add to the visceral portrayal of Jiyoung’s life in the domestic frame. There is a clear departure in tone at the ending of the film, which differs significantly from that of the book. The film’s ending is considerably more optimistic, and Jiyoung’s character is given the space to develop as time goes on. Here Jung Yu-mi’s performance is especially brilliant; she manages to capture not only Jiyoung’s hopeless defeat and quiet desperation within her stances and facial expressions, but also the burgeoning anger that Jiyoung experiences as everyday incidents of sexism accumulate. Whereas the novel seemed to structure itself as more of a clinical account of gender inequality in South Korea in its incorporation of data and statistics, the film humanizes gender inequality in a way that has viewers empathizing with Kim Jiyoung as a character and woman. It is worth noting that Gong Yoo’s role as Jiyoung’s husband Dae-hyun resonates in one of the most memorable performances of the film. Viewers may have seen Gong in his most heroic moments as a self-sacrificing father in Train to Busan, but in Kim Jiyoung Gong plays a man who is inherently good but has unconsciously internalized the misogynistic sentiments of society in his own thinking. He is simultaneously playful and emotional, harsh and kind. These complex determinants of a husband’s identity explain his interactions with Jiyoung and give his character the kind of depth that doesn’t necessarily justify his actions, but takes note of them as a societal issue across the country. This in-depth character portrait is given to many, if not all characters in Kim Jiyoung. There is a tense kind of relief, for example, in Jiyoung’s playful and lighthearted interactions with her siblings, which seem to be the only respite from her everyday life. The backstory of Jiyoung’s mother is given more meaning in her compassion for her daughter; this theme of maternal love in the context of the domestic space is elaborated on through emotionally resonant scenes of concern and anger. Jiyoung’s headstrong sister sacrifices her dreams for her family, but nonchalantly dismisses that sacrifice as familial responsibility. And in a particularly simple but poignant scene, Jiyoung’s brother attempts to figure out Jiyoung’s preferences for bread with Jiyoung’s father, but instead confuses Jiyoung’s preferences for his own. With any comparative reading, of course, it is necessary to acknowledge that a film and a novel are very different mediums and that each may be effective at addressing its subject matter in its own way. Each version of Kim Jiyoung has its imperfections, and the film does possess such imperfections in its somewhat understated nature. Yet while many may turn to the novel version of Kim Jiyoung for a more comprehensive and conspicuous depiction of the gendered dynamics in South Korean society, the film Kim Jiyoung is a more specific account told through the subtle visual symbols in Jiyoung’s life, which is where its merit lies. From a Busan Bank apron — a stunningly mundane and yet powerful representation of Jiyoung’s life that is gifted to Jiyoung by her mother-in-law as a present — to the significance of the spilled coffee on a cafe floor and the subsequent derogatory remarks that ensue, the film’s visual cues of a society’s divisions shape the life of the woman it portrays. As a fictional narrative, Kim Jiyoung’s nuance lies in its specificity. Yet this specificity is what makes the film — and the character it portrays — a truly empowering account of reality.
KimJi-young generation, as depicted in the book Kim Ji-young, Born 1982. They make it possible to discern specific graphical and empirical evidence more clearly and will help to construct relevant policies. Our study is organized as follows. Section 2 introduces the background of the study. Section 3 outlines the data and sample construction.
A review of Cho Nam-joo’s Kim Ji-young, Born 1982 I’ve had this book for over a year, but I finally got the chance to sit down and finally read it. I’d heard a lot about it, because there was a movie starring the ever-so-famous Gong Yoo, and because it stirred an entire feminist debate in the country, one that exposed the misogyny rooted in Korean history. As I read it, I had many different thoughts about what was going on, and I was honestly kind of conflicted about the hype around this book. I see why it’s an important novel in the grand scheme of things, but I also wanted more from it. Purchase a copy of the book break this down by category. Book BlurbIn a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her?Content/PlotKim Ji-young is the main character of this novel, and we follow her throughout how she got to be the way she is in the modern era. She was born in an uneventful household, but there was blatant favoritism in the house towards the youngest son. We follow Ji-young from the eras of her life, from childhood, her being bullied in middle school, to college, then to her job at a small marketing firm, then her married life where she quits her job to be a stay-at-home mom. We’re clearly meant to sympathize with Ji-young, because we start out with her being a depressed mother who is embodying the spirits of the women in her past. She is sassing her in-laws in Busan, but she is also has just given up towards her situation. It’s really sad, and if you don’t get it, you don’t get it. This is the situation of women not only in Korea, but throughout the world. We follow her throughout her life. That’s basically the novel. She is a kid bullied by the boy who likes her, she goes to college to study marketing, struggles to break into the workforce because of her gender. We have a bunch of statistics and studies cited in classic Chicago style at the bottom of the pages, giving us as readers a glimpse into the reality of the situation. This isn’t just fiction. This is the story of many women throughout Korea. Characters Kim Ji-young, in my opinion, is quite a universal character, despite the novel’s Korean context. She is a depressed mother who has quit her job in order to care for her newborn daughter, and, suddenly, she finds that her life lacks a purpose upon quitting her job. We get such a hyper focus on Ji-young, one that made me a bit sad and frustrated at times. I was really interested in her sister because she gave up on her dreams of broadcast journalism in order to become a teacher, which is what her mother had pushed her towards. Ji-young and her mother, in the novel, claim that this is because this is truly what her sister wanted. But is it really? We don’t hear much of her siblings outside of the childhood arc, and I wanted to know more about them. I also wished we saw more of Jung Dae-hyun, Ji-young’s husband. Story-wise, we jump from her dating several different men, then we randomly are placed into a scenario where she is engaged to Dae-hyun. Dae-hyun, too, is clearly an important part of her life, but we don’t get to see their meeting, and he obviously cares somewhat, as he took her to a psychiatrist. Writing Style As for overall structure, this is set up in the basic three-arc structure, and it is previous obvious from the way the novel itself is formatted. We start the beginning of the novel from the current era, as Ji-young seems to embody the women from her past and lash out against the patriarchal figures in her life. This is in third-person omniscient narrator, which is why we get such a focus on Ji-young as a character. We are tracking her throughout her life, and we get a small glimpse into her head, but, as a character, we only really get to see her fleshed out as an individual. That really got to me, because while I do love how we get a little bit about the female office manager or the friend she had in college, I wanted it to go deeper. We get one woman’s life, but there are so many other stories she herself is shielded from. Like what if Ji-young had more meaningful dialogue about all of this? Speaking of dialogue, there was very little of it throughout the novel. I found that super interesting as a writer, because often we are told that dialogue is a necessity to continue. Something I also found really interesting was the incorporation of actual statistics and studies from academic studies about the status of women in Korea. As a researcher myself, I appreciate it, but if I were a casual reader, I’m not too sure if that would’ve made sense in the placement of the novel. It’s something we’re not used to as readers, I feel like. I also was confused at the ending—we switch to the psychiatrist’s POV in first person. That really confused the heck out of me, and it was a struggle to get through it, because, for the first time, we get a man’s thoughts. Overall Thoughts This was a pretty short read. I’m a fast reader, so by sitting down and actually focusing on it, I managed to finish the entire book by the end of a single night. It’s a good, and very important story to tell, but I wanted so much more from the novel, just like I said before. It’s a bit short for a novel, and I don’t know how exactly I feel about that. I totally get that this is supposed to be representative of so many women’s experiences, but Ji-young just kinda comes across as a bit naive. And, perhaps, that’s the irony in all of this, that she noticed and saw that so many women weren’t getting to live the lives they truly deserved, but also continued to go down this path of a society built for men. It’s super depressing, just like life, to see her fall to the system at the end of the day without a fight. She does say she fought her husband against this, but I honestly would’ve preferred to see her keep fighting until the end. It’s an interesting and decent read, but I wouldn’t classify it as a really good one. It will, however, be a good case study novel for gender studies and history students. As a casual reader, I wouldn’t be like “hell yeah” to this novel, but instead I found the academic part of me more interested in the novel as a case study. Rating Follow me on Instagram or Goodreads below for more updates!

ReviewFilm Korea : Kim Ji Young Born 1982 Kim Ji Young Born 1982.. Baru kali ini nonton filmnya Gong yoo di bioskop. Sepanjang film aku disuguhi perspektif baru tentang value seorang perempuan. Kim ji young seorang ibu, anak, istri dan juga menantu. Dia juga seorang perempuan yang dibenturkan dengan nilai patriarki di Korea Selatan.

The Long Plot, Sans Spoilers Jung Yu Mi plays Kim Ji-Young, a regular mom who left her career to focus on raising her child. Gong Yoo plays Jung Dae Hyun, Ji-Young's caring husband. Conflicts arise in and out of the household when Ji-Young gets afflicted with a psychiatric condition, where she "turns" into another person those close to her, like her mom and sister. Throughout the movie, the struggles of women in a patriarchal society are also shown, such as workplace issues, sexual harassment, and family expectations. The Short, Honest Plot A peek into the life of a stay-at-home mom who was a former career woman. She was ordinary...except that she has a loving hubby that looks like a god and whose only flaw, really, is his bossy AF mother and a psychiatric condition. The Actors And Where You Last Saw Them Jung Yu Mi as Kim Ji-Young Prior to this film, Yu Mi starred in the movie Psychokinesis 2018 with Ryu Seung Ryong and in the series Live 2018 with Lee Kwang Soo. ADVERTISMENT - CONTINUE READING BELOW ↓ Gong Yoo as Jung Dae Hyun Gong Yoo's most recent acting projects before this film were Train To Busan, The Age Of Shadows, and Goblin all in 2016. Did You Know? 1. This is Yu Mi and Gong Yoo's third movie together! The previous ones were Train To Busan and Silenced 2011. 2. The pair also belong to the same entertainment agency called Soop, which manages other big K-drama stars like Bae Suzy, Choi Woo Sik who was also in Train To Busan, and rom-com queen Gong Hyo Jin. ADVERTISMENT - CONTINUE READING BELOW ↓ 3. Suzy promoted the movie of her sunbae labelmates on her IG, but this didn't sit well with people who negatively viewed the movie's feminist theme. 4. Kim Ji-Young Born 1982 was actually based on a book of the same name. The novel, written by Cho Nam-Joo, sold over a million copies in Korea but also received criticisms because of the sensitive issues it touched upon. ADVERTISMENT - CONTINUE READING BELOW ↓ 5. Seo Ji Hye who played Seo Dan in Crash Landing On You and Red Velvet's Irene both revealed having read the novel...and both drew flak for it. What My Friends Think "I watched Kim Ji-Young primarily because I'm a huge Gong Yoo fan. I am so grateful I came out with more than my share of Gong Yoo goodness. It's a story about the everyday woman, often trapped with society's long-established rules and expectations. Every woman would find a piece of herself in Kim Ji-Young. I liked that the film showed pieces of her life randomly, and how it narrated how her current actions are effects of previous life experiences, and how society—from her family, work, and even her husband—had a hand in making Kim Ji-Young 'broken.' The movie doesn't want to present a clear-cut solution to an ingrained cultural and societal problem, but wants to raise awareness so that women will find her support system. And in the movie, Kim Ji-Young gets that. She actively seeks it. And I wish that every woman does the same. ADVERTISMENT - CONTINUE READING BELOW ↓ "The film left me with much appreciation for my mom, to fellow women who choose to live outside of herself every day—choosing her kids, peace, and family. Most of all, I gained a much deeper sense of respect for myself—how strong, worthy, and enough I am." —Agatha "The movie tackled a lot of issues most women have to face on a daily basis, which should not be the norm. Cameras in bathroom stalls, condescending male peers, having to sacrifice career for the family or vice versa, being expected to serve in the kitchen, being judged [when you're still single in your 30s]—these are just some of the issues shown in the movie. Most women just learn to adjust, to give in, to sacrifice, and maybe it's high time that society recognizes that men can and should adjust, too. ADVERTISMENT - CONTINUE READING BELOW ↓ "And in the end, sometimes, all we need is for someone to listen. We don't need someone else to solve our problems for us all the time. A little support, a listening ear, and a lot of love can go a long way. Kudos to the author for writing such a novel despite being in a mostly patriarchal society, and for the producers for making it into a movie. This enabled a lot more people to read/watch it around the world." —Costa What I Think Pinays would appreciate this movie because it's very honest and relatable. The setting is Korea, but a lot of issues are encountered by Pinays especially Pinay moms, too. You're probably familiar with the career-versus-family debates, the meddling in-laws, the judge-y people when someone brings their noisy toddler to a cafe. It'll be a great chance for you to reflect and just know that you're not alone in your struggles. ADVERTISMENT - CONTINUE READING BELOW ↓ Another great thing about it is how the husband chose to deal with his wife's condition. He didn't impose anything on her or pushed her to seek treatment. He patiently cared for her, helped her whenever he could, and waited for her to help herself. I believe it's the best approach whenever you're dealing with a partner struggling with a mental health issue. I didn't expect to like the movie because it lacked kilig and heart-stopping plot twists aka prerequisites for my favorite dramas these days. But in the end, Kim Ji-Young made me feel empowered. It's a woke portrayal of an average woman and it acknowledged her struggles and strengths—qualities that make her extraordinary and admirable. ADVERTISMENT - CONTINUE READING BELOW ↓ I'd Recommend It To Everyone, really, for ~*awareness*~ but most especially for married couples or those who are thinking about getting married Follow Ginyn on Instagram.
KimJi Young 1982. Kim Ji Young: Born 1982. LÆ°á»Łt xem: 20,868. Thời lÆ°á»Łng: 120 phĂșt. Dá»±a trĂȘn cuốn tiểu thuyáșżt "nữ quyền" bĂĄn hÆĄn một triệu báșŁn táșĄi HĂ n Quốc, bộ phim Kim Ji Young 1982 sáșœ kể về một phỄ nữ bĂŹnh thường đang tráșŁi qua thĂĄng ngĂ y lĂ m vợ, lĂ m máșč. Bỗng một ngĂ y, tĂ­nh
A story of Kim Ji-young, a young woman in her thirty's, discovering both the struggles and the strengths of being a woman. Starring- Jung Yu-mi and Gong Yoo. Directed by Kim Do-young Mar 29, 2023 ‱ 3 min read Movie Kim Ji-young, born 1982 1982년생 êč€ì§€ì˜Director Kim Do-youngWriters Yoo Young-ah and Cho Nam-joo author of the novelCast- Jung Yu-mi, Gong Yoo, Kim Mi-kyung as Mi Sook Ji Young's mother, Gong Min-jeung and Kim Sung-cheol as Kim Eun-young and Kim Ji-seok Ji Young's sister and brother, Lee Bong-ryun and the movie-Kim Ji-young, born 1982 or 1982년생 êč€ì§€ì˜ is a 2019 movie adapted from the bestselling novel under the same name written by author Cho Ji-young, born 1982 is a story of Kim Ji-young, an ordinary woman in her 30's, who suddenly shows signs of being inhabited by women around her like her mother, her older sister, her best friend, and also talks about stories of people connected to her.*This review may contain spoilers. If you have already watched the movie, please continue reading. If you haven’t watched the movie yet, you can still continue reading or you can come back to the review later.What I loved about the movie-The movie is adapted from the novel and they have presented it beautifully. The movie is fabulously made. It's every woman's story, isn't it? All of ours. My sister suggested that I read this book and I loved it with all my heart. And the movie, I loved it just as much. All the additions in the movie blended seamlessly into the story. The movie does justice to the book. I wouldn't say tribute but the book and the movie are a gift to the women around the are addressed as someone's mother, someone's wife, someone's daughter, etc. We women want to be all that and someone else, someone much more. We want to be ourselves and feel enough. We do not need to be embarrassed, do not need to feel less, and do not need to feel like we owe our lives to anyone we be proud to to be born as Women? Shouldn't others be proud that we were born as a woman too?The world convinces you into thinking that you are not enough, that you need to compromise for someone else's benefit. If I continue to live the way others expect me to, I would feel like I am living in someone else's body, living someone else’s have a lot of empathy for each other. I watched an advertisement a while ago where two women are seen complementing each other out of the blue. A kid watching this entire scene asks them why they were doing so, and one of the women replies by saying that it's us women who need to uplift each the Characters, the Actors, the Writer and the DirectorThe MVPs of the book are Cho Nam-joo, the author and all the women characters that she poured so much life into. And the MVPs of the movie are director Kim Do-young and all the women characters. Each woman in the movie has so much to tell and so much to teach. Jung Yu-mi as Kim Ji-young and Kim Mi-kyung as Mi-sook are so pure and raw. Movies like this prove how extraordinary these women are as actors and as individuals in general. They are so imperfectly perfect in their portrayals, of the lives and the struggles of all the women out there and they are the best at representing are a few changes in the movie compared to the movie. Gong Yoo's character Dae-hyun is extremely supportive in the movie, in spite of all the inhibitions he holds and all the prejudices he has. Dae-hyun is willing to change himself and his thinking and support his wife and her growth despite the struggles they are going to face together. Gong Yoo is admirable in his portrayal of movie showed a change in the attitude and behaviour of Ji-young's father and brother and it is such a wonderful addition as movie consists of a phenomenal star cast and each and every actor is Kim Do-young- I do not have enough words to express my gratitude to Kim Do-young for creating this beautiful piece of art. It takes a lot of courage to take up a topic as sensitive as Kim Ji-young and put it out into the world. She is representing all the women and the movie is like a gift from a strong, talented, brave and hardworking woman to the women of the world. I am looking forward to more amazing and extraordinary work from director Kim Do-young because the world needs them more than I can all the Women of the world,Thank you for teaching me that Women are amazing human beings. Thank you for teaching me that Women are strong, independent and courageous and when they are supported, uplifted, encouraged and empowered, they are capable of greater you are a book lover please do read the book and also watch the movie. But if movies are your thing, I highly recommend that you watch this astounding creation.
Youngadult fantasy; Young adult fantasy; Indian Bangla Books; Local Books. Adorn Publication; Kim Jiyoung, Born 1982 by Cho Nam-Joo; Kim Jiyoung, Born 1982 by Cho Nam-Joo 0 out of 5 ( There are no reviews yet. Only logged in customers who have purchased this product may leave a review. Related products. The Anthropocene Reviewed by
Story Acting/Cast Music Rewatch Value A feminist story that needs to be told This is a feminist story, there's no doubt about that. Its starts off easy enough, a mum who had ambitions, settling down as a stay at home mum. We all that person. But that's not all a person is, and she struggles to come to terms with her simple life, we catch glimpses of the different parts of her identity, growing up from a young girl to a careerist, then to a wife, now a mum. We see glimpses of her steps to womanhood and the stifling restrictions set up for what society a woman can be, especially in a conversative Korean environment. This story is relatable for women, seeing the stuggle to juggle many identities at once, to be a good mum, to be respected in the working worlds, to be a loving wife, to be approved by the in laws, these crazy standards and tireless efforts to please everyone, takes a heavy toll. Kim Ji Young is a young mum of young kid who has to put aside her career aspirations aside to care for her child and home. To do that successfully is hard enough, but on top of that, she feels trapped, as that is all her efforts in life can amount to. Her loving husband isn't to blame, who seeks to share the burden after hours of work, or all to her own family who care about her wellbeing, but who have no idea what is wrong with her . It's the never ending cycle of her life as a just a mum that scares her. She becomes unfulfilled by the routine and seeks out freedom by trying to see if she could get a job, to almost taking on a full time role, flipping the gender roles, almost, but to no avail. There is too much to lose. She can never earn as much as her husband, especially she is the breadwinnerThe people who can't see she is struggling, only her husband, who eventually asks her to get professional help, who is the one who finally tells her mother. This coincides with her really letting out her repressed frustrations at the unfairness of it all, her anger, and coming into terms with her mental health issues and finally being able to say, yes, she is hurt, and she wants help. The men in her life, her father, her brother uncover the ignorance they didn't really notice until her mother, also, seeing Ji Young in pain, let out her pain. The blame can't be put into one person, after all, its society, and its a cycle, that the movie seems to ask, can we really break free from? In the end, this movie at least, allows Kim Ji Young finds her voice and decides to pursue her dream of writing a book, this book, as if giving her some form of control back in her life, and manifest an identity that isn't just tied to being her child's mother. It takes immense courage, loving understanding from others, and her letting go of her past happenings in her life that lets her to start anew. TLDR The cast is great, and its a simple story, that just needs to be simply told. I'll like to read the book to compare it with. Read More Was this review helpful to you?
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